Her notations are inspired by nature and the surrounding soundscape. She often combines her drawings with photographs frequently created in collaboration with other artists, that depict natural landscapes, creating a dialogue between the visual and the sonic, between what is seen and what is intuited.

Through the practice of graphic notation and sound drawings, her creative process becomes a dialogue between the conscious and the intuitive.

She explores composition as a language that bridges the visual and the sonic, opening paths to new forms of interpretation and listening.

In many of her works, the symbols and graphic notations are directly influenced by elements found in the environment: the curve of a branch, the texture of a stone, the vibration of wind through the leaves, or the shifting patterns of shadow on the ground. In this way, each image becomes a sonic space creating visuals scores open to interpretation.

Soundlands started as an artistic exploration between image and sound.

The project uses graphic notation visual music scores placed in dialogue with landscapes photography

Each piece is a sonund cartography, where visual elements from the land inspire the symbols for sound. This fusion invites a contemplative listening, asking us to hear the hidden resonance of a place. Soundlands transforms the act of viewing into an intuitive act of listening, bridging the seen and the unheard.

Soundlands transforms the act of viewing into an intuitive act of listening, bridging the seen and the unheard.